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ing the summers of 2005 and 2006, I conducted research above cultural plan and other topics namely brought me into straight contact with many culture workers.' I interviewed culture workers in national traditions and the capital's Municipal Department of Culture [link widoczny dla zalogowanych], and visual and fulfilling artists. I attended seminars and sessions and participated in informal activities in and out of the workplace with MBT my informants (Cash 2007). I had previously met and interviewed many of the same individuals in 2001, when conducting research aboard folkloric ensembles, celebrations, and narrated cultural activities (Cash 2004). The terms 'Romania' and 'Europe' were used by interview respondents frequently and these two 'places' were used by culture workers to assert opposition to the Communist Party, and to restore and strengthen professional networks that were being threatened by concurrent structural changes in cultural institutions. Culture workers were not the only individuals who talked about 'Europe' with a sense of urgency. The legacy of identity politics in Moldova means that both 'Romania' and 'Europe' figure in politically charged conversations throughout Moldova [link widoczny dla zalogowanych], and much of my argument could apply equally well to broader segments of the population. I limit my analysis to culture workers, whatsoever, as several reasons.First, culture workers form a distinct social category, making it likely to identify dominant themes of conversation and their meanings with some degree of positiveness.2 Second, 'Europe' acquires a particular urgency in the social imagination of culture workers, because it is profoundly entangled with their professional identity. Third, culture workers are especially vulnerable to shifts in MBT political power. Culture workers are hired in institutions below the direction of the Ministry of Culture or municipal and county level Departments of Culture. Consequently, funding, personnel, and institutional tasks are constantly changed 'from on.' Additionally, many of the professional activities undertaken by culture workers require cross-institutional collaboration and changes in an institution tin lightly shock upon others. Fourth, culture workers too share a general identity inherited from the late-Soviet duration that opposes 'culture' to 'polities' which areas them in continual opposition to State power. For entire of these reasons [link widoczny dla zalogowanych], symbolic geography is premonitory for this group. Nevertheless, preferably than making culture workers one exceptional circumstance, their use of symbolic geography to voyage risky circumstances reflects extra common patterns of invoking symbolic places to assert social and political identities.During the summers of 2005 and 2006, I conducted research on cultural policy and other topics that brought me into direct contact with many culture workers.' I interviewed culture workers in citizen institutions and the capital's Municipal Department of Culture, and visual and performing artists. I attended seminars and conferences and participated in informal activities in and out of the workplace with MBT my informants (Cash 2007). I had previously met and interviewed many of the same individuals in 2001, while conducting research on folkloric ensembles, festivals, and relative cultural activities (Cash 2004). The terms 'Romania' and 'Europe' were secondhand along interview respondents frequently and these two 'places' were used by culture workers apt assert against to the Communist Party, and to reinstate and reinforce professional webs that were being intimidated by simultaneous structural alterations in cultural institutions. Culture workers were no the only individuals who talked almost 'Europe' with a sense of urgency. The legacy of personality politics in Moldova manner that either 'Romania' and 'Europe' figure in politically charged conversations throughout Moldova, and much of my dialectic could apply equally well to broader sections of the